Here We Go!

I think I'm funny, but I'm not. I like comics, good books, television and insomnia, and I really like it when people aren't assholes. Here be DC/Marvel/Image, Star Trek, ASOIAF, TMNT, pointless text posts and an angry, chubby little nerd bitching about society, sexism and privilege. If you'd like info on my commission rates and availability, check the commissions tag, please and thank you!

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cornerof5thandvermouth:

petitepasserine:

the-hairy-heterophobe:

ablogforemily:

shamelesslyunladylike:

the-hairy-heterophobe:

if anybody asks me why i hate men, i’m just gonna redirect them to this post.

it’s pretty fucking obvious that men only want to invest in breast cancer research to further degrade, objectify, and jerk off to body parts they already feel 100% entitled to. that’s what is at stake for them. 

what about the women whose “tatas” weren’t saved? how must they feel being surrounded by awareness ads that focus more on keeping women’s sexy-sexy-titties-to-continue-titillating-the-males than saving real life human beings and helping survivors? 

If anyone’s wondering, those posts came from here. It’s a forum for breast cancer support. Give it a read, and you’ll see how many women are outright abandoned by their husbands, sometimes after being married for decades, because their “tatas” couldn’t be saved.

This culture of “save the tatas” even goes as far as the doctor’s offices themselves. Most doctors request that the husband be present during surgical consultations, as though he has an equal say in the patient-professional discussion.

If the woman is single, as was my case, doctors have actually recommended postponing surgery until she finds a relationship, because “it could be nearly impossible to find someone who accepts it [your unnatural tatas] in years to come”. 

I’m 15 months post-mastectomy, and the date I had this past week was the first time since then that a guy hadn’t reacted negatively to my scars. The relief was so overwhelming that I was fighting back tears. When I told him —essentially warning him that my body wasn’t what he must be expecting — I felt so guilty; it seemed to have the same weight and shame as telling someone I had some sort of an incurable STI or a felony record.

I shouldn’t have felt that way. I should not be ashamed of choosing to live. 

Thank you for your important commentary! I hope you find someone who can love you for who you are and admire your strength as a survivor.

holy shit this just makes me so immensely disgusted and i actually feel sick to the core??? just. holy shit.

when my mother was getting a surgery consult for the lumpectomy, the surgeon actually insisted i was in the room with her and kept asking my opinion ABOUT MY MOTHER’S BOOB even though we were both visibly uncomfortable with the situation

i mean for fuck’s sake i’m her son, that’s a: awkward as hell and b: it’s just a fucking TIT, who cares if it “looks good” as long as she fucking LIVES, jesus god damn christ, why is it that doctors think a man has to sign off on a fucking tit???

fucking infuriating

anyhow fuck “save the tatas” campaigns

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sulienapgwien
I volunteer to be your cuddler
YOU’RE HIRED

BRING COCOA

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s1uts:

regularbullshit:

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

I’m so enlightened.

^^

candykyras:

fernacular:

hyaena13:

themoo-n:

kinkyturtle:

avri-wallflower:

sourcedumal:

Fuck special snowflakes who think like this.

Gurl bye

Your ass ain’t fucking special because you don’t wear makeup.

You’re not fucking better than the woman with large breasts who wears tank tops.

You’re a piece of shit because you are putting sexist stereotypes onto other women in some anti-feminine bullshit.

If you don’t like it, why’d you comment on it? I think it’s awesome and you’re probably one of the girls up there that wears makeup and shortshorts and tiny tanktops. And most kids today wear makeup because they think they aren’t pretty and need it. So deal with it. And get over yourself.

girl bye.

lemme tell you something: I wear tons of fucking make up. I wear short dresses. I walk around with a face that looks about as fake as it can get outside of a fucking barbie doll. and I like it that way. and, despite what you seem to think, no, it’s not because i think i’m ugly. i just fucking like makeup (and trust, i’ve spent years examining my own motivations and how they’re tied to internalized self-hated, fatphobia and misogyny so don’t EVEN cause you don’t know what you’re talking about).

I also read ravenously; engage in discourse regarding philosphy, art, economics, politics, race, gender, sexuality; make subversive art; and love comics and film and music. I’M A FUCKING PERSON IS WHAT I’M SAYING. 

like how fucking deep is this goddamn image when the spine of the book JUST SAYS THE WORD ‘BOOK’.

this kind of bullshit narrative, other than furthering a misogynistic dichotomy that pits women against each other, is also a complete fucking fallacy. A huge majority of average women DON’T DO THIS. you aren’t the lone plain jane in an army of cake-faced, bottle blonde barbies—if you look around, you’ll see that most women just throw on jeans and tops and very little makeup. 

I get that this kind of shit is an attempt to fight back against media-made images of what womanhood is supposed to be. I get it. (thought isn’t it interesting that the “weirdo” in the picture is still thin and conventionally attractive??)

but attacking other women who you perceive as being stupid or carbon copies because of their fucking appearance doesn’t fight back against shit. it actually does EXACTLY what the patriarchy wants us to do—engenders more hatred and competition between women. 

but you know, whatever, continue to think you’re so goddamn special. i’ll be over here reading AND wearing hot pink lipstick and having a hell of a time doing it. 

THIS IS THE BEST FUCKING THING I’VE EVER READ IN THE HISTORY OF EVER

And that is how you tear a fake feminist to shreds. Bravo.

preach

YESS

her book is literally titled book

come the fuck on

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chubbycartwheels:

pocfatfashion:

Myself, and two  lovely fatshion bloggers Meagan Kerr and Sian Morgan were in New Zealand’s Sunday Magazine. Meagan Kerr made the cover as you can see above. And it is about being fat and plus sized in society and in fashion and whatnot. In other words it is amazing and written amazingly. 

You can read the full piece HERE  and um… beware of the comments. 

This was such an amazing opportunity and I was honored to be asked to do this!! :)

Whitney xx

Yaaaaas!!

Writers don’t write from experience, though many are resistant to admit that they don’t. I want to be clear about this. If you wrote from experience, you’d get maybe one book, maybe three poems. Writers write from empathy.

- American activist, writer, educator and commentator, Nikki Giovanni (via meggannn)

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scienceshenanigans:

A classic.

I wonder how many denialists bought this issue only to find they’d been trolled so hard.

jessadilla:

jessadilla:

300 followers, gee oh gee! Maybe that doesn’t seem like a lot to some, but for me I’m pleased as punch and ever so grateful for all the new follows as well as those of you that have stuck with me for the long haul! So to thank you, here’s my very first giveaway! 

Prizes:

1. One first prize winner will receive one bust painting of one character of their choosing, be it an original character, game character, or otherwise as long as references are provided. 

2. One second prize winner will receive a waist up, slightly shaded, colored sketch of one character of their choosing, be it original character, game character, or otherwise.

3. One third prize winner will receive a waist up black and white sketch of one character of their choosing with the option of original character, game character, or otherwise.

Rules:

1. You must be following me to enter! While I welcome new followers, please don’t add just to win and then ditch me after you do. If you do I reserve the right to publicly mock you and let everyone know what a real stinker you are. 

2. Reblogs and likes both count, and you can reblog up to 2 times each day for an extra chance to win. 

3. I contact winners by ask boxes only! If yours is closed, I will draw again. 

4. You have 24 hours to respond if you win! If I don’t hear from you within that time frame, I’ll draw again for your spot. 

5. The giveaway ends at 11:59PM PST on September 30th, 2014. 

Thanks to all of you! I love you precious bbs!!!!

THIS ENDS TONIGHT!!

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